Study on the synthetic polymer support used by the contemporary portuguese painter Daniel Vasconcelos Melim
Abstract
The research presented here aims to identify the synthetic polymer used by the contemporary Portuguese painter Daniel Vasconcelos Melim as a support for his paintings made in acrylic paint, to study its physical and chemical properties and to identify the most frequent change phenomena. For the identification and comparative study of the synthetic polymer used, the following tests were performed: Visible and Ultraviolet Spectroscopy (UV-Vis); Fourier Transform Infrared Spectroscopy with Attenuated Total Reflection (HATR-FTIR); density measurements and solubility tests in different solvents; pyrolysis and flame tests. and the organic solvent extraction method with a Soxhlet extractor on samples of RENOLIT - SE brand thermoplastic membranes from different years, namely 2011 and 2018. Aging tests were also carried out on membrane samples for 67 days at room temperature of 21 oC and at a temperature of 70 oC in order to identify some phenomena of alteration, such as: colour change and loss of mass.
Downloads
References
DERRICK, M.; STULIK, D.; LANDRY, J. (1999). Scientific Tools for Conservation - Infrared Spectroscopy in Conservation Science. The Getty Conservation Institute. New York: Tevvy Ball, Managing Editor.
DIETRICH, B. (2013). Simple Methods for Identification of Plastics. Germany: Hanser Publications.
INCCA (2002). “Guide to Good Pratice Artist`s Interviews”, revisto em 2016, pp. 1-26. In https://www.eai.org/resourceguide/collection/computer/pdf/incca.pdf.
SCICOLONE, G. (2009). Restauración de la pintura contemporánea. Editorial Nerea.
SHASHOUA, Yvonne. (2001). “Inhibiting the deterioration of plasticized poly(vinyl chloride) – a museum perspective”. Danish Ph.D Thesis, Technical University of Denmark (DTU), Copenhagen.
SHASHOUA, Y. In: May E, Jones M (eds)(2006).Conservation Science, heritage materials. The Royal Society of Chemistry, Cambridge.
SHASHOUA, Y. (2008) - Conservation of Plastics: Materials Science, Degradation and Preservation. Oxford: Publisher Taylor & Francis Ltd.
SHEESLEY, S. – Artist Interviews as Tools for Diligent Conservation Practice. The Book and Paper Group Annual. Vol. 26 (2007), pp. 162-165.
STUART, B. H. (2007). Analytical Techniques in Materials Conservation. England: John Wiley & Sons.
UBIETA, M. (2011). Conservación y restauración de materiales contemporâneos y nuevas tecnologías. Madrid: Editorial Síntesis S.A.
- Copyright and intellectual property belongs to author. Author guarantees editing and publishing rights to Ge-Conservación Journal, under a Creative Commons Attribution License. This license allows others to share the work with authorship and the original source of publication acknowledgement.
- Articles can be used for scientific and educational purposes but never for commercial use, being sanctioned by law.
- The whole content of the article is author’s responsibility.
- Ge-Conservación Journal and authors may establish additional agreements for non-exclusive distribution of the work version published at the Journal (for example, on institutional repositories or on a book) with acknowledgment of the original publication on this Journal.
- Author is allowed and encouraged to disseminate his works electronically (for example, on institutional repositories or on its own website) after being published on Ge-Conservación Journal. This will contribute for fruitful interchanges as also for wider and earlier citations of the author’s works.
- Author’s personal data will only be used for the Journal purposes and will not be given to others.