Gilding on a 15th century stone relief from Dubrovnik: technical study vs. Cennini’s recipe

  • Sandra Sustic Hrvatski restauratorski zavod
  • Vinka Marinkovic Croatian Restoration Institute in Split (Stone Department
  • Jure Balic Student
  • Martin zohil Student
  • Vinko Bonomi Student
Palavras-chave: Douramento, alto-relevo em pedra, reconstrução histórica, camadas preparatórias, receita de Cennino Cennini CLXXIV

Resumo

Ao longo de 2016, o Instituto Croata da Conservação levou a cabo um exigente trabalho de conservação e pesquisa, de um alto-relevo em pedra dourado e policromado, datado do séc. XV, proveniente de Dubrovnik e atribuído a Pietro di Martino da Milano (c. 1410-1473). A intervenção revelou-se uma oportunidade para melhor compreender os processos de degradação dos materiais e as técnicas utilizadas pelo Mestre. A dificuldade em determinar a presença das camadas de impermeabilização e preparação, levaram à criação de duas reconstruções experimentais, como parte de um projecto académico: a primeira reconstrução baseou-se na análise dos exames laboratoriais efectuados durante a intervenção, e a segunda teve por base uma pesquisa histórico-tecnológica, nomeadamente a receita de Cennino Cennini, CLXXIV. O objectivo foi o de avaliar a necessidade das camadas preparatórias no douramento, permitindo ainda experienciar o trabalho do Mestre, na forma de “aprender-fazendo”. Os resultados experimentais apontam para que uma das possíveis causas de alteração do douramento e consequente fragilidade, tenha a sua origem na ausência das camadas de impermeabilização e preparação.

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Biografias Autor

Sandra Sustic, Hrvatski restauratorski zavod

Has a degree in conservation-restoration of easel paintings and polychrome wood, at the Arts Academy of the University of Split (UMAS) in 2007 and a Ph.D. in Art History (Department for Protection of Cultural heritage), at the Faculty of Humanities and Social Sciences in Zagreb, Croatia in 2016. Presently, she is head of Šibenik Department for Conservation of the Croatian Conservation Institute, and associate lecturer at UMAS (Department for conservation-restoration). Her fields of research are theoretical and practical aspects of painting retouching, technical art history, historically informed reconstructions of paintings and history of conservation practice.

Vinka Marinkovic, Croatian Restoration Institute in Split (Stone Department

Was born in 1983 in Split. She graduated in 2007 at the Art Academy of the University of Split. Since 2016 she holds a PhD in Archeology (University of Zadar). Marinković is employee of the Croatian Restoration Institute in Split (Stone Department). Participates and leads conservation-restoration, documentation and research projects of cultural heritage. She is an assistant professor at the Art Academy of the University of Split.

Jure Balic, Student

Was born in 1995, in Split (Croatia). From 2009 to 2014 he attended School of Fine Arts in Split where he got his education as a painter. In 2014 he enrolled at the Academy of Fine Arts in Split where he is currently getting his degree in stone conservation.

Martin zohil, Student

Was born in Pula, Croatia in 1996. He completed the Stonemason School in Pucisca, on the Island of Brac. He is currently a fourth-year student in the field of conservation-restoration of stone artefacts.

Vinko Bonomi, Student

Was born in Split. She completed the School of Fine Arts in Split (The Design Department). She is currently a fourth-year student in the field of conservation-restoration of stone artefacts

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Publicado
2020-12-10
Como Citar
Sustic, S., Marinkovic, V., Balic, J., zohil, M., & Bonomi, V. (2020). Gilding on a 15th century stone relief from Dubrovnik: technical study vs. Cennini’s recipe. Ge-Conservacion, 18, 298-306. https://doi.org/10.37558/gec.v18i1.856
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