Proposal to describe the colour mixing during the retouching process

Palabras clave: Mezcla de color, reintegración, ecuación, directrices

Resumen

Al escribir el informe final, los conservadores-restauradores pueden estar indecisos sobre cómo describir la mezcla de colores utilizada en el proceso de reintegración cromática. Los informes pueden parecer un poco incompletos, especialmente si faltan los datos técnicos. La información registrada generalmente está restringida al tipo de pintura con indicación de la marca y el tipo de aglutinante y pigmentos utilizados. Por lo tanto, el objetivo de este artículo es proponer un sistema medible que pueda ayudar a los estudiantes y profesionales de conservación y restauración a describir el uso de mezclas de colores durante el tratamiento de la reintegración cromática.

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Biografía del autor/a

Ana Bailão, Faculdade de Belas-Artes (CIEBA); Centro de Investigação em Ciência e Tecnologia das Artes (CITAR), Universidade Católica Portuguesa

Diploma in Conservation and Restoration by the Polytechnic Institute of Tomar (2005) and a master´s degree in Painting Conservation by the Portuguese Catholic University (2010). The master research was about methodologies and techniques of retouching. PhD in Conservation of Paintings at the same university, in collaboration with the Centro de Investigação em Ciência e Tecnologia das Artes (CITAR) and the Instituto del Patrimonio Cultural de España (IPCE), Madrid. The doctoral research was about the criteria and methodologies which might help to enhance the quality of painting retouching. The projects are presented through publications, lectures, exhibitions and presentations. Teaching about conservation and restoration, especially chromatic retouching, since 2008. Since 2004 carrying out conservation and restoration works.

Citas

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Publicado
2020-12-10
Cómo citar
Bailão, A. (2020). Proposal to describe the colour mixing during the retouching process. Ge-Conservacion, 18, 323-327. https://doi.org/10.37558/gec.v18i1.851
Sección
Suplemento

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